Pirates of the Caribbean: Dead Man's Chest (2006)

Few thought 2003's Pirates of the Caribbean: The Curse of the Black Pearl would be a hit, but it was one of the year's most pleasant surprises—a funny, swashbuckling thrill ride that ultimately grossed more than $650 million worldwide. And now, few think that a sequel can possibly match that success or yield an equally amusing film.

Think again. Expectations are surpassed once again with Pirates of the Caribbean: Dead Man's Chest, a film that not only lives up to its predecessor, but elevates it into a delightful saga that falls somewhere between the classic Indiana Jones films and the more recent Mummy movies.

Johnny Depp returns in the lead role as the quirky-but-fun Jack Sparrow

What many people don't realize is that writers Ted Elliot and Terry Rossio (Shrek and 1998's similarly swashbuckling The Mask of Zorro) envisioned Pirates as a trilogy. With the success of the first movie, the next two chapters were ensured, filming back-to-back to save on production costs—yes, Dead Man's Chest is a cliffhanger to be concluded next summer. Moreover, the people responsible for the first movie have all returned—not just Elliot, Rossio, and the lead actors, but producer Jerry Bruckheimer, director Gore Verbinski, and most of the supporting players as well.

Our story begins with Elizabeth Swann (Keira Knightley), whose wedding day is rained upon literally and figuratively when both she and her heroic groom, Will Turner (Orlando Bloom), are arrested by Cutler Beckett (Tom Hollander), a representative of the East India Trading Company, for aiding and abetting in the escape of one Captain Jack Sparrow (Johnny Depp)—as you might remember from the ending of the first movie. The penalty is death, but Beckett is willing to make a deal with Turner—find Sparrow, retrieve his mysterious compass, and the young lovers will earn a full pardon.

Will (Orlando Bloom) and Elizabeth (Keira Knightley) never know what they'll run into

With no alternative, Turner accepts and searches for Sparrow a la Heart of Darkness. Meanwhile, the eccentric pirate has been keeping busy in search of a certain special key. It seems he owes his soul to none other than Davy Jones (Bill Nighy), the monstrously tentacled devil of the sea who bargains with dying sailors to gain their servitude with his mutated crew of half-men, half-sea creatures. Why did Sparrow strike the deal? What does the key open? And how is Will's presumed dead father, "Bootstrap" Bill Turner (Stellan Skarsgard), involved in all of this?

Finding these answers and others is part of the fun, and we're not meant to discover them all in this film. For sure, it doesn't all make sense (yet), but it's enough to be caught up in the ride as it progresses. Dead Man's Chest moves at a brisk pace like a Saturday morning matinee and the Indiana Jones movies. It starts off a little slow, and it's not wall-to-wall action, but I was never bored and still wanted more after nearly two-and-a-half hours.

Much of the film's charm comes from its tight blend of adventurous derring-do with Python-esque slapstick. Sparrow makes another funny entrance in this movie, and I honestly couldn't stop laughing for minutes after he gives special payment for information from a mysterious voodoo lady. Fans of the series should also stay through the end credits for a parting laugh involving the fate of a "key character" to the series.

Our heroes run into one mis-adventure after another

Half the humor also comes from the ridiculously over-the-top but well-staged action sequences. Building upon the playful sword-fighting of the first film, Dead Man's Chest features a thrilling three-way duel that's part Princess Bride and part Road Runner, culminating in a sort of free-for-all shell game as you try to decide who's swindling who.

The stunts and special effects live up to summer blockbuster standards as well. Particularly effective is the blend of makeup with CGI for Davy Jones' octopus face and his similarly creepy looking crew. And you can bet people will be buzzing all summer about the Kraken, a gigantic tentacled beast that snatches scores of terrified sailors while crushing their ships—more horrific than the famed giant squid of Disney's 20,000 Leagues Under the Sea, and convincingly rendered with the same quality as the creatures of the Lord of the Rings trilogy.

I would caution parents to heed the PG-13 rating here. Like The Empire Strikes Back, this second chapter is considerably darker than its predecessor, though not as much as, say, Indiana Jones and the Temple of Doom. The creatures are more vicious in this, the makeup more frightening, and there's a cannibalistic tribe that's mostly played for laughs despite presenting a necklace of severed toes. The story also revels more in folklore and legend between the tribe's worship practices, the mythology surrounding Davy Jones, and a creepy voodoo lady that seems to have all the answers. Gruesome as it all sounds, most of it is carried with the air of a haunted house around Halloween—it never takes itself too seriously.

There's something snaky about that Davy Jones guy

The series does adore its characters, though, and none more than Jack Sparrow, perhaps the most iconic new film character of this millennium thus far. Depp has masterfully made the role his own, developing it into something rich, quirky, memorable and truly unique. A sly chauvinist, yet almost a little fey with his charisma, it's a performance that captures your attention every time he's on screen, despite the character's disgusting hygiene. There's something about that mischievous glint in his eye and the way he can garner a laugh with a worried facial expression or even a mere grunt of frustration.

Depp's the standout, but let's not shortchange the rest of the cast. They all play their parts with equal measures of bravado and comedy. These roles work well in the context of the story, as does everyone else from the lowliest pirate to the snobbiest nobleman. Many have said that Will is too much a straight arrow, Elizabeth too much the feisty modern woman, and their romance too ignored. And yet I can't help but compare the chemistry of the three leads with that of another famed trio involving a hero, princess, and scoundrel that sidetracked some of its romantic potential in favor of humor and space action.

Not to say that this is as good as the original Star Wars trilogy, but it does create the same sort of fun thrill ride that used to be the norm during the summer movie season. In spite of its small shortcomings, Pirates of the Caribbean: Dead Man's Chest deserves praise for making an old-fashioned popcorn movie that knows how to entertain. Audiences may have been doubtful of the first movie, and perhaps a little skeptical of this one, but you can bet they'll be clamoring for Pirates of the Caribbean: At World's End come May 2007.