Wild Hogs (2007)

If you're old enough to relate to this premise, it will likely remind you of City Slickers. The bad news: Wild Hogs is no City Slickers. The good news: While utterly lacking in subtlety, surprise, or nuance, Wild Hogs has some genuinely funny scenes, and a decent enough cast (particularly the reliable William H. Macy) to mostly distract its audience from its mediocre script.

Martin Lawrence, Tim Allen, John Travolta and William H. Macy

Doug (Tim Allen) is a dentist with a spacious home and a loving, supportive wife (a woefully under-used Jill Hennessy). His only real problem: His tween-aged son doesn't think he's cool. Doug begins to examine his life (and spreading waistline) and wonders if he might need a little more adventure.

Bobby (Martin Lawrence) is a plumber whose yearlong writing sabbatical has just been brought to a forceful close by his overbearing wife (a woefully stereotyped Tachina Arnold). The complete lack of respect for him in his household, coupled with a catastrophic toilet-incident his first day back on the job, get him looking for a chance to reassert his manhood (or maybe just get out of town).

Dudley (William H. Macy) is a geeky computer programmer whose inability to talk to women has kept him a pining bachelor. He's ready to do something drastic—like get a tattoo of the Apple Computer logo on his right bicep, or maybe even get his shiny Harley dirty on the back roads of America.

Macy and Marisa Tomei make the most of their sweet but flimsy love story

Woody (John Travolta) is the friend who has it all together, except for the fact that his supermodel wife has left him and he's free falling over the edge of bankruptcy. Woody isn't ready to tell his friends about the left-turns his life is making, but he is ready to goad them into a motorcycle trip from their Cincinnati homes to the Pacific Ocean. Given that all four men live for their Saturday rides on their Harleys, Woody doesn't have a hard time convincing them that a road trip is just what they need.

Screenwriter Brad Copeland has until now been primarily a sitcom writer (My Name Is Earl, Arrested Development) which may explain the episodic feel of Wild Hogs. Once the guys hit the road, they ride from mishap to mishap with lulls not unlike commercial breaks in between. They throw away their cell phones. A gay cop (Scrubs' John C. McGinley) misunderstands the nature of their male bonding. They run out of gas and wish they still had their cell phones. They argue with each other over the correct disposal of human waste in the woods. And so on. Some of these episodes are laugh-out-loud funny, others are groan-out-loud lame. Either way, they just keep coming.

Ray Liotta as an over-the-top leader of a biker gang

The second half of Wild Hogs centers on the heroes' run-in with the Del Fuegos, an easily angered New Mexico biker gang led by Cro-Magnum-esque Jack (an over-the-top Ray Liotta). The film finally hits on all cylinders during its final act, when a supremely well-choreographed conflict between the guys and the gang works by making the most of physical comedy and the least of dialogue. Add in a perfect cameo by a biker movie icon and a hilarious epilogue while the end credits roll, and you've got a strong to finish to an otherwise middling trip.

Wild Hogs is directed by Walt Becker, whose resume is dominated by the Van Wilder films, so perhaps it should come as no surprise that this movie is sporadically characterized by a National Lampoon-like vulgarity. The problem lies in the fact that Wild Hogs also tries, rather clumsily and with only the sketchiest character development in place, to operate at some deeper and more mature levels. Macy and Marisa Tomei make the most they can of their sweet but flimsy love story. But when Becker and Copeland want to explore any given character's angst, they bring the silliness to a screeching halt to have one actor say to another, "You look a little down." While the experience level of the cast saves the movie from disaster, it also hints at what could have been had the filmmakers developed a more even tone and a less lazy script. Wild Hogs ultimately can't live up to the promise of its premise and its participants.